‘GOD IS A DJ’ arrives with CRAY, sacred and profane blur, church rave video completes the vision

 ‘GOD IS A DJ’ drops, CRAY leads a fierce club cut and a church rave visual, sound and story align in one charged scene.

Here is the share ready snapshot. Dani Thorne and CRUNCHi deliver ‘GOD IS A DJ’, a track that lives in industrial Techno heat. The beat pounds, the edges stay rough with underground grit, and CRAY’s voice circles as a hypnotic hook. With a witty, sultry tone and a hardstyle infused push, the song nods to the father, son and Holy Rave, then erases boundaries so the setting becomes a dark, sweaty room where the DJ stands as divine, and feminine. The companion film closes the loop, as the camera follows three girls on a path to an underground rave inside a run down church.

Dani Thorne shares; “When Cray came up with the line “God is a DJ”, we knew right away that’s the theme we were going to run with. While the instrumental had been done and played out by Crunchi and I months before, when the writing session started with Cray, a whole new theme was born and we knew we wanted to revisit the production to hone in on this idea of GOD IS A DJ. Which to be honest, is very in line with how it feels to be in the dark, sweaty underground with 100s of like-minded strangers, dancing and expressing ourselves freely. The rave is our version of church, and we connect through music.”

Studio notes in the press materials detail how an early version gave way to a rebuilt production once CRAY stepped in, and how the finished song has anchored sets in underground spaces and on festival stages. The story is consistent across each format, one concept expressed through rhythm, words, and a single location that defines the visual mood. It is direct, and it is designed for instant sharing.

It’s clear that “GOD IS A DJ” is both a banger and a mantra.